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Hereditary (2018); Where Have All The Horror Movies Gone?

June 12, 2018

The horror genre has become pretty muddled over the years. Never truly accepted and praised as a genre, critics today—and in the past for that matter—seem to be attempting to reshape horror films into something they haven’t been historically. Body horror, slashers, gruesome blood-lust, tales of the paranormal and others of this ilk don’t receive their just praise from the major media outlets that employ critics whose opinions water the Tomato Meter of Rotten Tomatoes. These days, critics only seem to be giving shine to thrillers or psychological dramas masked as horror. This misrepresentation of the genre seems to be the culprit of why truly good horror films are disappearing from the big screen only to be picked up on the small screen.

I postulate that the reason for this shifting focus within the horror genre isn’t because there’s some larger conspiracy against the genre, but because a large number of critics, and cinephiles in general from my observation, just aren’t really fans of horror. There’s nothing wrong with being an average moviegoer with your preferences set but critics who aren’t fans of the genre are the problematic ones. This lack of care for the genre as a whole results in high praise for arthouse films that wear the cloak of horror but inevitability end up being disaffecting and boring to watch. These days, the horror genre is littered with heady, art dramas masked by creepy themes instead of a cut and dry horrific situation, killer, attacker, or being that hardcore horror fans look to for fulfillment. That’s not to say that the films that receive the praise within the horror category today aren’t good, it’s just to say there is a distinction in the genre that is currently blurred.

The release of Hereditary is a prime example of these blurred lines. Marketed as “The Exorcist of this generation” and “a modern-day classic,” Hereditary is one of the few horror films (along with The Witch, Get Out, and The Babadook) that casual horror movie watchers flock to. I had more friends tell me how excited they were about this movie than I was—kudos to the fabulous marketing and that creepy ass trailer for that. “I can’t wait to hear what you think!” was the trending expression I had been hearing for weeks before finally seeing it. Immediately I tried to taper my expectations. If for nothing else, I’ve learned in the past few years that when critics fawn over a horror film, I likely won’t enjoy it. Sure, there are exceptions to this but as a horror fanatic—the dark, grungy, affecting, creepy—I recognize that critical praise over a film means it has obviously sidestepped its way outside genre as I know it.

Don’t get me wrong, Hereditary is creepy as hell. There are some truly chilling, ghastly moments that can haunt you especially if you see it in theaters. The mood and atmosphere alone is exceptional but as a story, it’s not scary in the least. Hereditary runs off the rails during its final act with little to no explanation of the events that unfolds. Fragments of horror are sporadically peppered throughout this drama about the psychological breakdown of a family already affected by mental illness. Grief and isolation are the running themes throughout that manifests into uncomfortable, chilling moments and if there’s one thing that writer/director Ari Aster does well, it’s perfect the uncanny. Aster’s work isn’t one to be downplayed. Any fear or shock that is experienced by watching this film is thanks to Aster and cinematographer Pawel Pogorzelski’s mastery of light, color, and shadows.

Hereditary’s ending unfortunately falls into sheer “what the fuckery” but it’s so beautifully shot overall—with it’s perfect match cuts, drifting camera, and saturated colors— that it’s magnetic to watch, and for a second you don’t mind the dump of random, underdeveloped occurrences until the credits begin to roll. This is the bamboozlery that I believe the critics fell for: shiny, pretty, and tension heavy films in which the director and cinematographer have perfected an encompassing menagerie of color theory to make us feel even when we’re unsure why we feel. These types of films have taken over the market and proven to be much more respectable winners of the genre, even if they aren’t really “horror.”

So far, the top-rated horror films of 2018 are Hereditary, The Endless, A Quiet Place, and Upgrade. While I admit each film is good in its own right, if not just merely decent (Upgrade is amazing btw), I argue that none of these are horror films. I’d compare Hereditary to the likes of a psychological drama akin to Ordinary People or “scary movies” that focus on familial psychosis like The Babadook and Sinister. That’s not a slight. I personally enjoyed The Babadook and thought Sinister had potential (although the family drama outweighs any sense of horror).

For people who aren’t fans of the genre, sure these films may fit the mold but what about us permanent horror fans? Where are the horror films that are nods to us and not the visitors of the genre? Our films are waiting in the crevices of over-gorged options in Amazon SVOD. Ours are on platforms that are illegal. Ours are hidden in the recesses of video stores (if your area still has one that is), or plainly hidden from the masses. Hereditary is a great film but I wouldn’t say it’s a good horror film. It’s effective and enjoyable but as a horror fan forever chasing the next high of a film that will shake me to my core and give me nightmares, where is that movie in theaters? Will it be the upcoming Halloween reboot that severs the family ties of Michael Myers and return him to brainless killer out for blood? My fingers are crossed in hopes of yes because the horror genre is in desperate need of a revival.

SEE IT. But if you’re looking for a truly horrific film look elsewhere. Horror fans, what’s been your favorite horror movie in the last few years?

2 Comments leave one →
  1. June 15, 2018 10:45 AM

    I hate that the marketing called it this generation’s Exorcist, because it creates such unrealistic expectations. Regardless, I liked this one a lot, but I’m afraid the average moviegoers will be let down. Great review!

    • June 16, 2018 8:19 PM

      Thank you kindly! I’m really interested to see what the general consensus is for upcoming horror films like Unfriended and Halloween.

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